Long time S.F. Bay Area scene stalwart Dean Santomieri and his musical partner, violinist Thea Farhadian, used their debut show as an opportunity to raise money for fellow musician Eileen Hadidian, an Early Music specialist who has been battling cancer. The mood in the Berkeley Arts storefront, while not somber, was quiet and composed.
The first set, made up of duo improvisations, had the musicians exploring quiet melodic/harmonic paths, full of space and flowing rhythm. The set was characterized by a dignified, searching, exploratory vibe. Suggestions of Django, county fiddlin', Middle Eastern modes, and Tristano's groups came to Disaster Amnesiac's ears.
At certain points, preparations were used on their strings: aluminum for a drone effect, and alligator clips for Cage/Harrison type feels.
Below: Aluminum preparations on strings
Above: Dean's resonator guitar, alligator clipped
After a brief intermission, the second set featured solo pieces from each musician, followed by a few more short improvisatory songs.
Dean's solo piece, a spoken retelling of an early family trip to the wilds of Tennessee, gave new meaning to the term "praying hands". Thea's solos were made up of "duets" between her violin and Mac-based triggered sounds, which had nice old analog electronic feels.
Below: Dean describes praying hands
At the end of the evening, it was announced that over $1000 had been raised for Mrs. Hadidian.
Above: Brief snippet of Santomieri and Farhadian in flight
The first set, made up of duo improvisations, had the musicians exploring quiet melodic/harmonic paths, full of space and flowing rhythm. The set was characterized by a dignified, searching, exploratory vibe. Suggestions of Django, county fiddlin', Middle Eastern modes, and Tristano's groups came to Disaster Amnesiac's ears.
At certain points, preparations were used on their strings: aluminum for a drone effect, and alligator clips for Cage/Harrison type feels.
Below: Aluminum preparations on strings
Above: Dean's resonator guitar, alligator clipped
After a brief intermission, the second set featured solo pieces from each musician, followed by a few more short improvisatory songs.
Dean's solo piece, a spoken retelling of an early family trip to the wilds of Tennessee, gave new meaning to the term "praying hands". Thea's solos were made up of "duets" between her violin and Mac-based triggered sounds, which had nice old analog electronic feels.
Below: Dean describes praying hands
Above: Thea interacts with the Mac
Below: Santomieri and Farhadian bring it home
At the end of the evening, it was announced that over $1000 had been raised for Mrs. Hadidian.
Above: Brief snippet of Santomieri and Farhadian in flight
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