Sunday, January 15, 2017

Vegan Butcher-self titled, via Bancamp; 2016

                   ".....these ones are all stretched out and bifurcated...."

So go the lyrics to opening tune Bifurcated on Vegan Butcher's eponymous release, their first as far as Disaster Amnesiac can tell.
A fitting description of their method, too. The songs on the disc do indeed stretch out, led by guitarist John Shiurba's lead guitar runs and musings. His guitar voices run from the twangy, Country Gentleman sound of Fundamental to Post Punk tonality, albeit clearly fused with lots of pre-Punk influence on Fish Barrel; dig those leads during the vocal passage of Bifurcated! They display a lot of really great melodic flare before giving the hammer. Also exemplary are the fuzzy tones within Toast. Shiurba really shines on guitar throughout Vegan Butcher.
Structurally, Vegan Butcher's songs generally start out with these guitar intros that last for several measures as Shiurba, bassist Will Hendricks, and drummer Suki O'Kane play off the stated guitar themes, building up moody passages around, under and over their tonalities.
Within these generally "dark" moods, Hendricks's pacing is really good. His bass playing leaves lots of room for the guitar strings' resonances, but when bigger riffs kick in, such as happens on Toast, he's right there, active within the instrumental mix as he puts down the low end rumblings.
Drummer O'Kane has a similar approach to the bass parts. Quieter cymbal tapping and snare accents are utilized as the disc's themes are built up within the instrumental ramp ups, quite a Jazz feel really; when Vegan Butcher's moody power trio is ready to drive the riffs home, she switches to great tom tom accenting and a more Bill Ward-styled method of riding the cymbals and thereby those same riffs.
All of the early instrumental interplay of the songs on Vegan Butcher lead up to the lyrical delivery from vocalist Val Esway. As Disaster Amnesiac has come to understand them, they're culled from the somniloquent musings of Shiurba, and, as such their odd, lateral meaning frames put the listener into a surreal mental state. Esway's clear alto is especially great on Fish Barrel as it soars above the melee of the rhythm section before segueing into a cool Musique Concrete tape passage.
Vegans still seem to get a lot of grief within our society. People want their meat, I guess. Somehow, Disaster Amnesiac doubts that Vegan Butcher care what their audience put into their bellies, as long their music gets into their ears. Plenty of aural protein to be had from that!

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