It stands to reason that Cecil Taylor's
Corona CD, issued in 2020 by Corbett vs. Dempsey Records, would have not made it onto Disaster Amnesiac's perceptual radar until four years later. So much was obliterated and lost in that era (for a giant nothing), there was just no way that I'd have been aware of it. Thankfully for this Taylor fan, a cheap copy emerged from the depths of internet, that super duper fun place, and I snagged it on the immediate tip. Glad to have copped and listened, too. First track
Sector 1 features a group of pretty well regarded international improvisors doing some sort of glossolalia (and a few short bars on some reed instrument) in accompaniment to Cecil's deep African Diaspora poetry recitation. His spoken word pieces are always fascinating. The ways in which Taylor parsed words, so abstract and intriguing, are on full display.
Sector 2 presents the meat of this 1996 Berlin concert appearance, forty eight minutes of duo exchange between the man at the Bosendorfer and drummer Sunny Murray. Long time fans of creative music will recall that these two men produced some absolutely boffo improvisations in the 1960's, ones which defined a lot of the dynamics of free thought within the Jazz continuum. On
Corona, their chemistry is shown to have not been lost. Murray ranges about on his drum kit, getting the wide, powerful sound that he was known for. Sunny pushes and stretches the rhythms in non-linear ways with a brashness that is rooted within his love of the form. Taylor's responses are in keeping with his by-then well established stylistic imperatives: huge block chords on the lower registers, as heavy as the heaviest Tony Iommi riffs (if one listens with, like, their ears), fast runs on the higher registers that fall like cascades of abstract crystal flowers. And of course it's all really sublime and lovely. As Disaster Amnesiac has listened to this track, I continue to hear the Blues that Cecil never denied having been influenced by. If you can't hear that, dude I am so sorry. Try again, and don't listen to twerps that accuse Cecil Taylor of being a fraud. Almost an hour of blissful listening is followed by more abstract verbiage from one of the top pianists of the 20th Century. Very cool how one can actually hear him walking away from the mics at the conclusion of
Sector 3. Disaster Amnesiac got to see him play once, at Yoshi's in Oakland, and the man was nothing if not theatrical. I have no doubt that there were deep metaphysics implied and applied within this part of his presentation.
Corona gives all of this to the music listener within a tight presentation that Corbet vs. Dempsey Records always has. This album is well recorded, lovely to see, and even more lovely to hear. Find it and study at the feet of two Masters.
