Attention electric guitar fans: Public Eyesore, Henry Kaiser, and Alan Licht have prepared a recording that Disaster Amnesiac suspects will be seriously up your sonic alley. The stated template consists of a rhythm section laying down a somewhat simplified rhythmic/chordal progression, upon which Kaiser et al can dispense with everything that leads up to the solo space and just get to it. Again: fans of electric guitar playing will find tons of enjoyment on Skip To the Solo.
The disc's 14 tracks are all formatted in a similar way that Zappa's Shut Up And Play Your Guitar discs were: brief spoken Dada leading directly into the quartet as they get down to the business of jamming.
And oh, how they do this! The rhythm guitar/bass guitar section, made up of Mikko Biffle along with Licht and Kaiser, lay down chordal sketches while drummer Rick Walker plays in an understated style that is both simple enough not to interfere and complex enough to be compelling to the the soloist and listener. Skip's tunes all swing like crazy in this way. As Disaster Amnesiac has listened, the thought has occurred to me that this music's rhythmic richness makes it ideal for either deep, focused listening, or as more of a sonic backdrop for working or partying. It has that kind of broadness to it.
Of course, the whole point of this set was to feature the electric guitar as a soloing instrument, and on that front it succeeds wildly. Standout solo action for me: the hard Sci-Fi chop and slice of File & Rank, the cutting Psychedia of Variations On The Jerry Garcia Secret Chord Progression, the spacey Fripp-ey tones of Rendezvous In Space, and the shiny melody of Ask Me About the Dorian Mode. These are just Disaster Amnesiac's picks, though. Every track on this one has compelling tones that are tremolo'ed, reverb'ed, even talk boxed into the head bliss zone for guitar solo maniacs.
The way this band gets down to the point of ripping out fun and fascinating instrumental music is beautiful. Again, if you're any kind of a fan of personal expression on electric guitar in the form of soloing, you'll truly want to seek out Skip To the Solo. Your ears will thank you for the effort.
The disc's 14 tracks are all formatted in a similar way that Zappa's Shut Up And Play Your Guitar discs were: brief spoken Dada leading directly into the quartet as they get down to the business of jamming.
And oh, how they do this! The rhythm guitar/bass guitar section, made up of Mikko Biffle along with Licht and Kaiser, lay down chordal sketches while drummer Rick Walker plays in an understated style that is both simple enough not to interfere and complex enough to be compelling to the the soloist and listener. Skip's tunes all swing like crazy in this way. As Disaster Amnesiac has listened, the thought has occurred to me that this music's rhythmic richness makes it ideal for either deep, focused listening, or as more of a sonic backdrop for working or partying. It has that kind of broadness to it.
Of course, the whole point of this set was to feature the electric guitar as a soloing instrument, and on that front it succeeds wildly. Standout solo action for me: the hard Sci-Fi chop and slice of File & Rank, the cutting Psychedia of Variations On The Jerry Garcia Secret Chord Progression, the spacey Fripp-ey tones of Rendezvous In Space, and the shiny melody of Ask Me About the Dorian Mode. These are just Disaster Amnesiac's picks, though. Every track on this one has compelling tones that are tremolo'ed, reverb'ed, even talk boxed into the head bliss zone for guitar solo maniacs.
The way this band gets down to the point of ripping out fun and fascinating instrumental music is beautiful. Again, if you're any kind of a fan of personal expression on electric guitar in the form of soloing, you'll truly want to seek out Skip To the Solo. Your ears will thank you for the effort.
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