2017 is already shaping up to be a mind bender of a year in Electro-Acoustic music. First there was the great Collision Stories CD, and next up sailed the absolute corker of an LP from Sult + Lasse Marhaug, Harpoon.
Disaster Amnesiac has been having my ears scrubbed out by the this one for the past couple of weeks, and after this repeated listening right off I'll say that it may be the deepest and most richly challenging example of the genre that I've ever had the pleasure of delving in to.
The music of Harpoon was initially performed by Sult, a trio consisting of Havard Skaset on guitar, Guro Skumsnes Moe on bass, and Jacob Felix Heule on percussion. These tones were then processed by Lasse Marhaug.
The resultant 36 minutes of sound is one of extreme density and otherworldly atmospherics. Disaster Amnesiac can definitely understand why they chose the title: it does have an underwater alien-ness to its feel.
It's overall tough, if not impossible, to isolate individual instrument's sounds within the murky density of Harpoon. That said, it's incredibly enjoyable to marvel at this tight composition's musically heavy moods and passages. Clicking, scraping, springing voices tug and pull at each others' strands. High register sighs and deep groans evoke the mysteries of maritime life. Sult are clearly operating at deep (sea) levels of interplay and listening. This is the kind of music and sound that goes way beyond having to prove anything with chops or dramatic showmanship. They're really inventing their own worlds here. Or do they see them as their own oceans?
All of these sounds and more are then wrapped and bound within a crisp sonic net by the processing tactics of Marhaug, and they really leap out at the attentive listener. Marhaug did a great job of integrating the skilled playing from Sult's members into a concise whole. Harpoon is a crisp, dense, sonic projectile.
It's on target and it is damn sharp. You'll be happy to have your perceptions pierced by Harpoon.
Disaster Amnesiac has been having my ears scrubbed out by the this one for the past couple of weeks, and after this repeated listening right off I'll say that it may be the deepest and most richly challenging example of the genre that I've ever had the pleasure of delving in to.
The music of Harpoon was initially performed by Sult, a trio consisting of Havard Skaset on guitar, Guro Skumsnes Moe on bass, and Jacob Felix Heule on percussion. These tones were then processed by Lasse Marhaug.
The resultant 36 minutes of sound is one of extreme density and otherworldly atmospherics. Disaster Amnesiac can definitely understand why they chose the title: it does have an underwater alien-ness to its feel.
It's overall tough, if not impossible, to isolate individual instrument's sounds within the murky density of Harpoon. That said, it's incredibly enjoyable to marvel at this tight composition's musically heavy moods and passages. Clicking, scraping, springing voices tug and pull at each others' strands. High register sighs and deep groans evoke the mysteries of maritime life. Sult are clearly operating at deep (sea) levels of interplay and listening. This is the kind of music and sound that goes way beyond having to prove anything with chops or dramatic showmanship. They're really inventing their own worlds here. Or do they see them as their own oceans?
All of these sounds and more are then wrapped and bound within a crisp sonic net by the processing tactics of Marhaug, and they really leap out at the attentive listener. Marhaug did a great job of integrating the skilled playing from Sult's members into a concise whole. Harpoon is a crisp, dense, sonic projectile.
It's on target and it is damn sharp. You'll be happy to have your perceptions pierced by Harpoon.
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